Optical Prep Technician

Camera Assistant & Loader

Second-Unit Cinematographer

Staff Commercial Director

Maintained vintage spherical and anamorphic glass at Panavision London, calibrating back focus and rebuilding mechanical follow-focus assemblies.

Handled 16mm and 35mm celluloid magazines under demanding field conditions on independent British features and location documentary shorts.

Photographed aerial plates, automotive inserts, and specialized stunt sequences requiring precise matching to primary unit lighting setups.

Helmed branded spots and narrative launch campaigns at Blackwood Studio, managing forty-person crews and high-throughput production days.

Grounding in practical mechanics

Two early years spent on camera rental test benches established an instinct for glass imperfections, flare characteristics, and sensor falloff that digital emulation cannot replace.

This tactile familiarity enables faster decision-making on active sets. Directors who understand payload limits, lens mechanics, and power distribution protect the schedule while pursuing bolder frames.

Complete production credits and gear sheet

Full commercial director CV, camera operating history, and departmental union eligibility available upon request.